Ghoulardi attack of the giant crab monster

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As a result of his popularity he got away with most of it. By the latter I mean he would poke fun of some of the other local personalities who were featured on Cleveland television, including Captain Penny, or the fledgling Mike Douglas.

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The TV station had to deal with angry parents who thought he was a bad influence. The films were fun, but he made them even moreso.

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Naturally we would crack up.Д®ssentially, he was all about pushing boundaries.

#Ghoulardi attack of the giant crab monster movie

Here's a clip that Ghoulardi routinely had his team splice into the middle of our favorite monster movie scenes. Another way to put it, he saw the films themselves as a joke - Attack of the 50-Foot Woman, The Cyclops - so why not join the fun. In other words, when the tension mounted, Ghoulardi intervened, providing comic relief. 'Phew.' The monster needs to wash his feet. After catching a whiff of the beast's smelly feet Ghoulardi looks atthe camera and pinches his nose. One of the films was about a giant brontosaurus attacking a city (a low-budget Japanese horrorshow) and just as the monster turns the corner to step on a crowd of people, our show host is spliced in, catching the monster's foot, struggling to keep it from crushing him. The most memorable feature of his shows was that he would splice comic interruptions into the films we were watching. I doubt it meant, 'become the color of sky' or, 'get depressed.' Another saying was 'Turn Blue' which I think must have been a twist on the phrase Drop Dead. He developed his own vocabulary, reversing the word Fink to become Knif. Ghoulardi was half beatnik, half mad scientist, all a put-on by the eccentric Anderson who only got away with his antics because the fan mail was simply so excessive. Instead, Ghoulardi would introduce a film by saying, 'This film is so bad you should just go to bed.' This was not Masterpiece Theater where the host sits in an elegant room describing the high art quality of significant literature interpreted in film by masters of the craft. What Ernie Anderson did was make fun of the flicks because they were so comically poor in their production values and story lines. I remember watching The Creeper at my cousin's house in Cincinnati, and House on Haunted Hill when we moved to New Jersey in 1964, but these were nothing like the Ghoulardi show. Ghoulardi, however, took it to another level.

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It was Friday night Fright Night and the late 50's monster film phenomenon was in full swing. What made Ghoulardi so unique? Perhaps it was the context that brought out the best (or worst) in Ernie Anderson. In those days, local TV stations assumed responsibility for generating much of their content. I'd forgotten about Captain Penny, Woodrow the Woodsman and Barnaby the elf's pointy ears. In writing about Ghoulardi, Feran & Heldenfels put Cleveland television in perspective because Ghoulardi's schtick included making fun of Clevelnad television and its personalities. The Cleveland Indians, the Cleveland Browns, and Cleveland television.

When I was a kid, Cleveland was the world. a dramatic descent due chiefly to the collapse of America's Rust Belt economy. It's hard to imagine now, but at one time Cleveland was the fifth largest population center in the U.S. (Actually, when I was a five-year-old I didn't really know there was a Twin Cities or pretty much anything else beyond my neighborhood and the shows on out television set.) When I was on the Barnaby Show as a child, I had no idea that in the Twin Cities those kids were watching Toby's Playhouse. We didn't know then that what we experienced was extremely regional.

These were the early days of television in which every major city had its local programming. Indeed, the Ghoulardi show really was one wild ride. Heldenfels about the one and only, subtitled Inside Cleveland TV's Wildest Ride. What a treat then when I opened the package and found this book by Tom Feran and R.D. But there was little to compare with staying up late on Friday nights to watch B-grade monster movies on a television show hosted by none other than the incomparable Ernie Anderson, a.k.a. My early feel-good recollections might include a white rubber football, playing Geography (the game) with my parents, and catching snakes in the woods. So it was that Citizen Kane's last words pertained to early memories of his sled Rosebud. There's really nothing quite like those unfiltered early experiences, especially when we've spent a lifetime away from that pristine time. This past week I received the most delightful and unexpected gift, a detour back in time to some precious childhood memories from my early years in Cleveland.